BRITISH HARPSICHORD SOCIETY RECITAL PAWEL SIWCZAK harpsichord
‘An Italian Journey’ Frescobaldi, Froberger, Scarlatti and J S BachThis recital replaced that of DACCAPO, the Italian harpsichord duo who were unable to leave Italy due to travel restictions during the Coronavirus health scare. Pawel kindly stepped in at less than a week’s notice. Handel & Hendrix in London, 25 Brook Street, London W1K 4HB
MEDEA BINDEWALD ‘Scarlatti Fever’ Highly contagious! Rhythmic energy, repetitive patterns and daring harmonies make the harpsichord sparkle in this virtuoso programme of keyboard sonatas by Domenico Scarlatti and his contemporaries
Handel & Hendrix in London, 25 Brook Street, London W1K 4HB
JOCHEWED SCHWARZ ‘A Musical Journey’ Harpsichord Music by Boehm, Arne, D’Anglebert, Handel, Purcell and Bach, celebrating the confluence of creative minds as well as the coming holiday season.
Handel & Hendrix in London, 25 Brook Street, London W1K 4HB
SHARON GOULD ‘Cembalo, Cimbalom’ Buxtehude, Bartok, traditional Hungarian & Rumanian dances Two Suites of ‘Cembalo’ dances and Variations by Buxtehude, alongside folk-dances collected from 17th century Hungary and 20th century Rumania, bringing colours of the traditional instrument, the ‘Cimbalom’ Handel & Hendrix in London, 25 Brook Street, London W1K 4HB
MARTA LÓPEZ FERNÁNDEZ ‘Doulce Mémoire’ Music by the blind organist Antonio de Cabezón and his contemporaries in Spain explored alongside works by the English virginalist William Byrd and the Italian virtuoso Girolamo Frescobaldi. Handel & Hendrix in London, 25 Brook Street, London W1K 4HB
LINTON POWELL ‘Dancing on the Keys’ Spain has long been a country rich in folk music, especially the region of Andalucía. The programme featured compositions from the Martín y Coll manuscript and sonatas by Antonio Soler, Manuel Blasco de Nebra and Domenico Scarlatti, illustrating the xácara, canarios, buleria, fandango, zapateado, seguiriya, seguidilla, bolero & jota
Handel & Hendrix in London, 25 Brook Street, London W1K 4HB
JAMES JOHNSTONE ‘An Italian, a Frenchman and two Germans walk into a bar…..’ Music from virtuosi Frescobaldi and Forqueray is coupled with more meditative works by Kuhnau and his Leipzig successor Bach. Full programme: 06-19progJJ
Handel & Hendrix in London, 25 Brook Street, London W1K 4HB
EMER BUCKLEY ‘Europeans!‘ Byrd, Bach, Scarlatti, Rameau and Handel’Music for harpsichord, expressing the notion that great composers have always absorbed influences from elsewhere. Music knows no frontiers. Full programme: 05-19progEB Handel & Hendrix in London, 25 Brook Street, London W1K 4HB
BRITISH HARPSICHORD SOCIETY RECITAL -part of the London Handel Festival ROBIN BIGWOOD ‘Goldberg Variations’ Bach’s definitive, magical statement on the theme and variations form, building on similar works by his predecessors while exploring new and uncharted territories in style and musical design. Full programme: 04b-19progRB
Handel & Hendrix in London, 25 Brook Street, London W1K 4HB
BRITISH HARPSICHORD SOCIETY RECITAL -part of the London Handel Festival
MASUMI YAMAMOTO ‘Handel Revenged’ Handel was famous for including quotations from other composers. Gottlieb Muffat (1690-1770) responded by “improving” Handel’s Eight Great Suites. This programme includes Suites in F major & E minor and works from Muffat’s own Componimenti Musicali (1739). Full programme: 04a-19progMY
Handel & Hendrix in London, 25 Brook Street, London W1K 4HB
KATARZYNA KOWALIK ‘French Collection’ A recital promoting Katarzyna Kowalik’s first solo harpsichord CD ‘French Collection’. A selection which demonstrates the variety of the French style, from noble dances to flamboyant and innovative sonority, featuring composers such us: Rameau, Moyreau, Fouquet, Royer. Full programme: 02-19progKK
Handel & Hendrix in London, 25 Brook Street, London W1K 4HB
BRITISH HARPSICHORD SOCIETY RECITAL ALINA RATKOWSKA ‘Finding Connections’ As the title suggests the programme looks for connections between old and contemporary musical styles. Although writing hundreds of years apart composers use the same forms and are inspired by similar things even though their musical language is very different.
‘The Most Beautiful B minor’ Two of the greatest keyboard pieces ever composed in B minor: Bach’s Overture in the French style and Couperin’s 8th Ordre show the composers at their most sophisticated and profound. Full programme 12-18progCC
‘Couperin’s 350th Birthday’ A harpsichord concert featuring several orders from the pièces de clavecin of François Couperin le Grand (1668-1733), in celebration of the 350th anniversary of his birth.
‘The Sunset of the Harpsichord’ ‘A musician moves others only if he himself is moved: he must feel all of the emotions he wishes to stir in his listeners. In this way, they can understand his feelings and share in his emotions.’ Music by C.P.E.Bach, J.E.Altenburg, V.Karaulov, W.F.Bach and Hässler
‘Hexachordum Apollinis’ Pachelbel dedicated his ‘Hexachordum Apollinis’ to Richter and Buxtehude. This programme features works by these three composers as well as works by Scheidemann, Weckmann and Böhm who influenced and were influenced by them.
OLIVER JOHN RUTHVEN Rameau’s ‘Nouvelles Suites de Pièces de Clavecin’ His third keyboard suite, represents the apotheosis of the Baroque suite. Dance movements and character pieces combine for an intimate portrait of Rameau, the consummate dramatist.
Handel & Henrix in London, 25 Brook Street, London W1K 4HB
JULIE PUMIR ‘A Journey through Baroque Europe’ An invitation to discover harpsichord music during the 17th and 18th centuries, its evolution and its specificities across Europe, through pieces from the work of Froberger, Couperin, Scarlatti, JS Bach and CPE Bach.
Handel & Henrix in London, 25 Brook Street, London W1K 4HB
TOM FOSTER ‘Stein für ein Denkmal; dances and other galanteries’ A celebration of the dance suite in Germany, drawing from the monumental treasure trove that Bach inherited from his predecessors in this genre, and culminating with the magnificent fifth partita in G major
Handel & Henrix in London, 25 Brook Street, London W1K 4HB
BRIT04-18progGR03-18progJPISH HARPSICHORD SOCIETY RECITAL – Part of the London Handel Festival
JULIAN PERKINS ‘Kindred Spirits’ No artist exists in a vacuum – least of all Handel. This programme celebrates an array of musical styles with which Handel was surely familiar, plus a suite that he wrote for Princess Louisa and his own arrangement of an opera overture. 03-18progJP
Handel & Henrix in London, 25 Brook Street, London W1K 4HB
LUCIE CHABARD ‘Friends and Inspirers.’ Let yourself be drawn into a journey throughout the 17th Century Europe. From Roma to Paris through Vienna, you will be able to explore how some great composers such as Jacques Champion de Chambonnières, Johann Jakob Froberger, Girolamo Frescobaldi and Jean-Henry D’Anglebert inspired each other. 02-18progLC
Handel & Henrix in London, 25 Brook Street, London W1K 4HB
‘An Age of Experiment’ A concert of contrasts: the melancholy of two famous pavans and the virtuosity of Byrd and Blow; Rossi’s theatricality and the inward intensity of Weckmann and Cabanilles; the brilliant harpsichord and the intimate clavichord Download full programme here 01-18progTR Handel & Henrix in London, 25 Brook Street, London W1K 4HB
‘The Parisian and the Provincial’ A varied selection of colourful and entertaining harpsichord music by François Couperin and Christophe Moyreau, enlivened by readings, to evoke early eighteenth-century Paris, Orléans and Versailles. Download full programme here 12-17progPC
Handel & Henrix in London, 25 Brook Street, London W1K 4HB
‘Handel & his near Contemporaries’ Music by Handel and his near contemporaries, including William Babell, John Loeillet, Thomas Roseingrave, Domenico Scarlatti, and Georg Berg, to be performed on a 1754 double manual harpsichord by Jacob Kirkman.
‘Lifted from Sleep’ Chau-Yee Lo’s wide-ranging recital showcases masterpieces by Louis Couperin and J.S. Bach alongside two compelling contemporary classics: Louis Andriessen’s Overture to Orpheus and Roderik de Man’s Frenzy. Download full programme here 10-17progC-YL Handel & Henrix in London, 25 Brook Street, London W1K 4HB
‘Les Sauvages’ music by Rameau, Couperin, Tapray, Mozart In this ravishing programme of harpsichord solo music inspired by the fascination of exotic worlds and far away countries, Medea Bindewald explores works from Rameau’s Les Sauvages (The Wild, Uncivilised) to Mozart’s famous rondo Alla Turca
Handel & Henrix in London, 25 Brook Street, London W1K 4HB
‘Divergent Domains: French musical Portraits & German Programme Music’ Explore multiple contrasts through music by court composer Bernard de Bury (1720-1785) and church musician Johann Kuhnau (1660-1722): France and Germany; Versailles and Leipzig; secular and sacred; suite and sonata.
Handel & Henrix in London, 25 Brook Street, London W1K 4HB
‘The Art of Variation in Italy and France’ A programme of Italian and French keyboard music exploring the different variation forms: ciacconas, passacailles and doubles composed by Frescobaldi, Muffat, Louis Couperin, Rameau and others. Handel & Henrix in London, 25 Brook Street, London W1K 4HB
A JOINT BRITISH HARPSICHORD SOCIETY & BRITISH CLAVICHORD SOCIETY RECITAL
MARIE VAN RHIJN Harpsichord and Clavichord
‘Time Machine’ Dieupart – Dodgson – Scarlatti – Ligeti, A programme exploring bridges between the musical idiom of the keyboard music from the late 17th and early 18th centuries, and its resonances in contemporary literature. Acting like a time machine, both the clavichord and the harpsichord allow this path. Handel & Henrix in London, 25 Brook Street, London W1K 4HB
‘Bach & Fux’ A programme presenting two monumental keyboard works by Johann Joseph Fux (c1660-1741) and Johann Sebastian Bach (1685-1750). These pieces show the influence different national styles had on each of their compositional style.
Handel & Hendrix in London, 25 Brook Street, London W1K 4HB
‘Froberger: a lasting legacy’ Born 400 years ago, J-J Froberger (1616-1667) is one of the most influential keyboard composers of the 17th century. A contrasted selection of his works will be performed alongside pieces by his contemporaries L. Couperin and J-H d`Anglebert, and works by two composers whom he influenced, G. Muffat and J S Bach.
Handel & Hendrix in London, 25 Brook Street, London W1K 4HB
MALCOLM PROUD ‘François Couperin & J. S. Bach’ Harpsichord suites by two of the greatest composers of the early eighteenth century: François Couperin (1668-1733) and Johann Sebastian Bach (1685-1750).
Handel & Hendrix in London, 25 Brook Street, London W1K 4HB
PAWEL SIWCZAK Please note that Pawel Siwczak was indisposed and his place was taken at short notice by NATHANIEL MANDER
‘European Bach’ Bach drew from various traditions and this programme juxtaposes his take on an Italian Concerto, next to a suite in a French style, alongside a fantastically imaginative Chromatic Fantasia and Fugue.
Handel & Hendrix in London, 25 Brook Street, London W1K 4HB
‘A Harpsichord portrait in Europe of the 18th Century’ – from the harmonic purity of the Couperins to the fickle music of CPE Bach and the virtuosity of Scarlatti.
Handel House Museum, 25 Brook Street, London W1K 4HB
‘Gottlieb Muffat and J.S. Bach’- A newly-discovered Suite by Gottlieb Muffat, a composer much favoured by Handel, is framed by two beloved masterpieces by J.S.Bach.
Handel House Museum, 25 Brook Street, London W1K 4HB
‘The Splendour of Venice’ An exploration of some of the most exciting and pleasing keyboard music to come out of La Serenissima. From Picchi’s almost barbaric dances, via Storace’s imaginative and exciting ciacconas and passacaglias, to Galuppi’s elegant and lyrical sonatas, the music of Venice offers far more than just Vivaldi’s violin concertos. The Studio, Handel House, 25 Brook Street, London W1K 4HB
‘Star Instruments’ The viol and the harpsichord have been the ‘star instruments’ of both the English and French schools due to their role as basso continuo. This programme offers string music transcribed for keyboard ranging from 16th century polyphony and extravagant dances by Marin Marais.
The Studio, Handel House, 25 Brook Street, London W1K 4HB
A JOINT BRITISH HARPSICHORD SOCIETY & BRITISH CLAVICHORD SOCIETY RECITAL
STEVEN DEVINE Harpsichord & Clavichord
‘The Maverick Bachs’ The music of two of JS Bach’s composer sons, CPE and WF Bach, represented by their ground-breaking approach to form and harmony pushing the boundaries of both harpsichord and clavichord writing.
Handel House Museum, 25 Brook Street, London W1K 4HB
‘In Memoriam’ Sharon Gould performs music she remembers studying with Rafael Puyana and describes the enlightenment, challenges and idiosyncrasies of lessons with this extraordinary man.
‘‘A Masterly Wildness’’ J. Kelway, G. F. Handel, D. Scarlatti and S. Dodgson
‘A Masterly Wildness’ – so said Charles Burney in reference to Joseph Kelway’s playing. This programme celebrates a genre which could perhaps be described as ‘Anglo-Scarlatti’. Daredevil hand-crossings, unpredictable figurations and plunges into exotic harmonies often vie with each other in robust rhythmic dances to create music that is both theatrical and virtuosic.
‘Bow Envy’ Transcriptions for harpsichord by J.S.Bach of works by Vivaldi, Telemann and his own Violin Sonata in A minor and a performance of BWV 971- The Italian Concerto
Lecture-recital, led by harpsichordist Kasia Tomczak-Feltrin who will be joined by her Polish colleagues Katarzyna Kowalik & Pawel Siwczak. Music by Handel, Couperin, Bach, Purcell & Landowska’s own compositions.
en passant, Baroque and Beyond…. …. – Purcell, Rameau, Duphly, Frescobaldi, Scarlatti et al with contemporary works by Edwin McLean, Olli Mustonen, Alan Hovhaness and Colin Riley.
RETURN VISIT TO CAMBRIDGE Our celebrations continued with a chance for BHS members together with our Founder William Vine to see and to play the historic keyboard instruments in Christopher Hogwood’s beautiful home in Cambridge.
See report by Nicholas Newton in ‘Sounding Board’ Issue no.7, June 2013 part 1, pp 13–14View/Download (PDF)
The grand finale took place in the Painting Gallery of the Foundling Museum in London where eight internationally renowned harpsichordists played the prize winning and the highly commended compositions. Also included were harpsichord pieces written by the late Stephen Dodgson, a friend of the Society and to whom the concert was dedicated. Performers were; Elaine Funaro, Gośka Isphording, Maggie Cole, Pamela Nash. Mahan Esfahani, Penelope Cave, Christoph Kaufmann and Jane Chapman Composers present were; Ivan Božičević, Thomas Donahue, Satoru Ikeda, Patrick John Jones, Jung Sun Kang, Enno Kastens, Jürgen Kraus, Junghae Lee, Aled Smith, and Gavin Wayte, Unfortunately the Alessandro Ponti, the First Prize Winner was not able to be present. The concert was followed by an informal Reception where the celebrations continued with wine and nibbles and a chance for the audience to meet the composers and performers. See report by Pamela Nash in ‘Sounding Board’ Issue no.8, Jan. 2014- pp 7-10View/Download (PDF)
COMPOSITIONCOMPETITION WINNERS ANNOUNCED First Prize: £1000 Alessandro Ponti– (Italy) for “In Fuga da Verona” Second Prize: £500 Jung Sun Kang– (USA) for “Stick Boy and Match Girl in Love” Joint Third Prize: £250 each Aled Smith– (UK) for “Box Toccata” Jurgen Kraus– (Germany) for “The Ascent of the K.517” Highly commended (in alphabetical order) Thomas Donahue– (USA) for “Five Shapes” Satoru Ikeda– (Japan) for “Prism” Patrick Jones– (UK) for “Santoor Suite” Junghae Lee– (Switzerland) for “Improvisation sur les Ondes Chromatiques” Gavin Wayte– (UK) for “Hot to Trot Love Bot”
See report by Pamela Nash in ‘Sounding Board’ Issue no.7, June 2013 part 1, pp 9-12 View/Download (PDF)
Muffat, Father and Son- includes world premiere of modern performances of recently discovered works by Georg and Gottleib Muffat. Handel House, 25 Brook Street, London W1K 4HB
Sadly Pamela Nash was indisposed, our thanks to NATHANIEL MANDER for playing a programme of JS Bach, Handel, Nicolas Fouquet, Jacques Duphly, Claude Balbastre and W A Mozart
‘Femmes fatales and Muses’. Music by women composers and portrayals of women by male composers, including works by Henry VIII, Anne Boleyn, Élisabeth Jacquet de La Guerre, Jean-François Dandrieu, Jacques Duphly, Johann Caspar Ferdinand Fischer, and Wanda Landowska.
JANE CLARK, with Pawel Siwczak and Laura Tivendale, presents an afternoon of François Couperin’s Pièces de Clavecin.
Jane is the author, with Derek Connon, of ‘The mirror of human life’: Reflections on Couperin’s Pièces de Clavecin. ‘In just a few hundred pages the authors create a compelling portrait of Couperin and his world’ Mark Kroll, writing in Early Music America, Summer 2011.
The Foundling Museum, 40 Brunswick Square, London WC1N 1AZ
Submissions invited for compositions for solo harpsichord in a Competition to commemorate the tenth anniversary of the founding of the British Harpsichord Society. Judging Panel: Mahan Esfahani, Jane Chapman, Penelope Cave, Pamela Nash (harpsichordists), Gary Carpenter, Rob Keeley, Larry Goves (composers)
PENELOPE CAVE Experienced teacher and performer of early keyboards will give an open workshop on Handel’s harpsichord music with a group of adult students. Auditors are welcome to attend, and bring scores if they wish.
The Foundling Museum, 40 Brunswick Square, London WC1N 1AZ In association with the British Harpsichord Society